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theguardian.com

@theguardian Wed, 06 Sep 2023 13:27:51

Hunger and hope: Africans tell of desperation and innovation as climate summit meets

As delegates in Nairobi debate the havoc that climate crisis has wreaked on the continent, we speak to people finding new ways to feed themselves in Kenya, Uganda and South Africa

African heads of state, ministers, leaders and campaigners are meeting this week in Nairobi for the first climate summit held on the continent. An estimated 30,000 delegates are in the Kenyan capital to debate and lobby governments to keep their commitments to support the people suffering the worst consequences of the climate crisis while contributing the least to its causes.

Africa has been hard hit by climate-related extreme weather, fuelling a severe hunger crisis affecting millions. We speak to people about living on the frontline of the crisis in three African countries, and what can be done to mitigate some of the problems.

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theguardian.com

@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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