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theguardian.com

@theguardian Sun, 03 Sep 2023 11:00:10

Bobi Wine: The People’s President review – electric insight into Ugandan power struggle

This gripping documentary follows the Afrobeats star as he spearheads a campaign to oust Uganda’s corrupt regime

When we first meet Bobi Wine, a popular Afrobeats musician turned Ugandan presidential opposition candidate, he beams with the sunny buoyancy that comes from being celebrated and adored. By the close of this urgent, electric documentary, Bobi is a changed man: sober, serious, not broken exactly, but certainly bruised by the experience of squaring up against the ruthlessly authoritarian incumbent president, Yoweri Museveni. In power since 1986, Museveni is not about to voluntarily step down.

To this end, in 2018 the then 73-year-old Museveni rewrites a clause in the Ugandan constitution that had hitherto barred people above 75 from running for the highest office, allowing him to stand for election yet again. In response, and with the support of his wife, Barbie, Wine steps up his opposition, graduating from cheery, toe-tapping protest songs to an official political campaign. The response from the Museveni regime is swift and brutal: Wine is arrested and severely beaten in custody. But this only serves to strengthen his resolve.

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@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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