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@theguardian Tue, 29 Aug 2023 12:00:07

Bobi Wine: The People’s President review – shocking look at Ugandan star’s campaign

For five years, documentary-makers followed the musician and politician as he attempted to challenge the country’s reigning autocratic leader

“I am not a criminal. I am a presidential candidate.” That’s Robert Kyagulanyi Ssentamu – AKA Bobi Wine – speaking from inside a police van, his face pressed to the bars after being arrested for the umpteenth time. Wine is a Ugandan pop superstar; his music has earned him the nickname “Ghetto President”. This intense, raw documentary, shot over five years, follows his attempt to become Uganda’s actual president – challenging the long-reigning autocrat Yoweri Museveni. It’s an intimate portrait combined with increasingly shocking footage as his opposition movement comes under attack.

Wine is a man with intoxicating charisma, and a cracking backstory. He grew up in a Kampala slum, pulling himself up by his bootstraps, paying his own way through university and launching a music career. His childhood made him fearless, he says. At university he met his wife Barbie; at home with their four children we see what a solid rock their marriage is. Wine stood as an MP in 2017, angry at proposals by Museveni – clinging to power after more than 30 years – to change the constitution to remove the upper age limit for presidents.

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@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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