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theguardian.com

@theguardian Thu, 19 Oct 2023 08:00:47

‘Very disturbing’: crackdown on oil pipeline protests in Uganda concerns UN rights expert

Students in Kampala have been beaten and arrested for marching against a 900-mile pipeline co-owned by a French company

In mid-September, four dozen university students marched through Kampala, the capital city of Uganda, to deliver a petition to parliament calling on the government to end fossil fuel investments and scrap the 900-mile east Africa crude oil pipeline (Eacop).

The young climate activists were led by 29-year-old Abduh Twaib Magambo, an environmental science student, who carried the two-page typewritten petition that said: “As students and young people of this country, we are the direct and major victims of [the] climate crisis living in a country that is among the most affected by climate change yet one of the least prepared to respond and tackle its effects.

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theguardian.com

@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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