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@theguardian Wed, 18 Oct 2023 06:00:34

A moment that changed me: 50 years after my grandparents were expelled from Uganda, I visited their old home

I grew up thousands of miles away, hearing stories of the family bungalow in Kampala and of Idi Amin, the dictator who had driven us out of it. What kind of welcome would I find there?

As my dusty Toyota Hilux bumped down the sloping street past concrete walls flanked by palm trees, my stomach flipped with anticipation. Everything was familiar, although I’d never been to this street in Kampala, Uganda’s capital, before. Google Street View had offered me a window into another life, continents away. I slowed as I passed a house, but wasn’t ready to stop yet.

My preoccupation with this particular street had begun in my childhood, when my parents told me tales from their years before me, in countries far from mine. My mother’s stories of road trips to the Nile and colourful pet chameleons captivated me. This side of my family is Indian, but she was born in Uganda. As a five-year-old, I used to mix the countries up. It would be much longer before I understood the global forces behind the family migration.

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@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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