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@theguardian Tue, 04 Jul 2023 12:53:40

The Ugandan satirist who scared a dictator: Kakwenza Rukirabashaija on torture, exile and activism

The award-winning author was arrested and tortured for his work – and then tortured again for writing about his detention. Now he smuggles his latest banned book into Uganda to ensure it is read

Kakwenza Rukirabashaija tries to keep his scars covered around his children. Even in the height of summer he never takes off his long-sleeved shirt and trousers. He is worried that evidence of the extensive, brutal torture he endured before fleeing Uganda, etched permanently into his body, would terrify them. The damage is so bad that he washes in the dark to avoid seeing them himself.

“The scars are not painful, but they trigger trauma whenever I am in the bathroom and look at myself in the mirror. So I decided to turn off the light when I shower to avoid seeing them,” says the satirical writer, who was this month given the Václav Havel award for creative dissent.

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@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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