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theguardian.com

@theguardian Wed, 26 Aug 2026 14:00:15

A Ugandan quarry worker carrying rocks on her head: Dan Nelken's best photograph

'Janet had eight children. Her husband drove a boda-boda taxi, but had lost a leg – so she had been working in her local quarry for 10 years. "I am now the husband in this home," she said'In 2017, my wife, Adele Brown, was invited to spend three weeks at an NGO in Gulu, Uganda, teaching critical thinking skills to blind high school-age students. I was asked along to document the organisation's activities. I became fascinated by the town's main market, where vendors sold goods such as used clothes, fruit and firewood. I asked the Ugandan teachers how I might approach someone to take their portrait. They suggested I offer a modest "model fee" after seeking permission.One of the students – Emmanuel (Emma) – wanted to assist me. We would visit the market together. When I saw a vendor I wanted to photograph, Emma would approach and seek their consent. Most agreed, but after returning home to New York, I looked at the results and was disappointed. As with other well-intentioned projects, I thought that was the end of it. Continue reading...

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theguardian.com

@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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