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theguardian.com

@theguardian Mon, 29 Jun 2026 04:00:27

Trafficked, beaten and raped: raids reveal scale of abuse of women in Asia's cyberscam centres

As tens of thousands are freed, female survivors are increasingly reporting gender-based violence in the compounds, previously thought to hold mainly menLate one evening in October 2023, Sarah* felt labour pains starting. It was 11pm, but at the cyberscam compound inside Laos' Golden Triangle, workers were logging on for a long night shift, scamming Americans online.Every night, workers sat at their computers until the early hours, building fake profiles of glamorous, jet-setting women on Facebook and Instagram. Sarah trawled the web to find older men to target with messages, where she fawned over their jobs, asked how their day had been and exchanged photos of luxury travel and beach trips. Each conversation she had was meticulously designed to follow a multi-day script, and monitored by bosses who walked up and down the long rows of desks. Continue reading...

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theguardian.com

@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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