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@theguardian Sun, 09 Nov 2025 10:00:29

How Mamdani is defying immigrant expectations by embracing his identity: 'His boldness resonates'

New York City mayor-elect refused to 'be in the shadows' in the face of Islamophobic attacks during his campaignAcross the country, Donald Trump's crackdown on immigrants has shaken neighbourhoods, torn apart families and engendered a sense of panic among communities. But in New York, on Tuesday night, Zohran Mamdani, the first Muslim mayor of New York, and an immigrant from Uganda, chose to underline his identity. "New York will remain a city of immigrants: a city built by immigrants, powered by immigrants and, as of tonight, led by an immigrant," he told an ecstatic crowd at the Paramount theater in Brooklyn.The son of a Muslim father and a Hindu mother, he was born in Kampala, raised in New York, and identifies as a democratic socialist. Almost every aspect of Mamdani's identity had been an issue of contention during the election. Earlier this week, the Center for Study of Organized Hate published a report highlighting the surge in Islamophobic comments online between July and October, most of which labelled Mamdani as an extremist or terrorist. Continue reading...

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@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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