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theguardian.com

@theguardian Sun, 11 Oct 2026 11:00:24

'I didn't want to write about this': the man who first saw chimps waging civil war

John Mitani spent years studying a huge community of chimpanzees in Uganda. But then things took a dark turn – and his findings stunned the scientific worldJohn Mitani can still remember the first time he set foot in Uganda's Kibale national park. The old-growth east African rainforest enveloped him, its canopy stretching to heights of 40 metres. Fruit trees bowed under the weight of African star apples and bountiful Ficus mucuso figs. And then there were the chimpanzees. Furry black blobs darted through the jungle, their raucous calls often deafening.It was the summer of 1995, and Mitani, a primatologist from northern California, had just come from working with the chimps living in the Mahale mountains of Tanzania. At the time, Mahale was home to the largest known population of chimps, with about 100 individuals. But there were rumours that this section of Kibale – only accessible via a 12-hour drive from the capital, Kampala – might host an even more unusual abundance of apes. Continue reading...

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@theguardian Sun, 04 Oct 2026 07:04:58

Wakaliga Uganda review – a blistering superhero movie with hardboiled cops and a nefarious 'girl with a voluminous bum'

Chisenhale Gallery, LondonA young man possessed by the spirit of a mythical Buganda warrior leads the film-making collective's explosive new diatribe against the theft of cultural artefacts – with the help of a 'video joker' Wakaliga Uganda makes action movies with a cast from the Kampala streets, props built out of scrap, desktop special effects and a bucketload of wit. The studio's breakout hit, Who Killed Captain Alex?, followed a martial arts master on a mission for revenge against the mafiosi who killed his brother, a Ugandan military officer sent to clean up the capital's slums. Featuring helicopter gunships, shootouts and kung fu showdowns, and reportedly made for a few hundred dollars, this blockbuster bears little relation to the films you might expect to find in an art gallery (setting aside the shoestring budgets). Which is to say, it is very good fun to watch.Founded by Harriet Nakasujja and Isaac Nabwana, the film studio also known as Wakaliwood came to the attention of the wider art world in 2017 when it was included in the German art festival Documenta. That influential show was part of a general turn towards the culture being made by independent collectives outside Europe and North America, especially those that pioneer unconventional ways to fund their activities (indicatively, the studio used the money to install fibre-optic cables in its neighbourhood). Its entry on to the international art circuit brought higher production value and – if the new commission now showing at the Chisenhale is any guide – a subtle shift in direction and purpose. Continue reading...

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